To transpose these complex volumes and curves to the scale of a dial, Hermès craftsmen begin by miniaturising the motif. They then rigorously select the essence and colour of the material that will serve as a medium of expression – in this instance a blend of woods that are precious – such as Macassar amaranth and ebony – and rare, like chestnut, yellow pear and madrona burr. Amaranth is a purple wood with a fine grain, whose almost white heart turns dark after many years. Macassar ebony is finely specked with crystals and has a black colour, a very fine grain and a high density. The light, soft and homogeneous wood of the chestnut tree is a silky white. Yellow pear tree wood, which is compact and likewise uniform, acquires a beautiful polish. Finally, madrona burr – a tree growth in the wood veins – a material that is both very hard and difficult to work with, forms small waves of orange-brown to pale red colour. The various woods are thus chosen for their shades close to the original design, but also for their specific grain, perfectly adapted to the meticulous art of wood marquetry. The artisan cuts out the multitude of tiny elements forming the pattern, before assembling them like a jigsaw puzzle, gluing them in place and finishing them by sanding and varnishing. Combining rigorous discipline, patience and dexterity, three weeks of work are necessary to create a dial, which is by nature unique.
 

(Images © Hermès / David Marchon)