To give life to these equestrian scenes from a dream-like Orient, all the patience and meticulous care of an experienced lacquer specialist are devoted to taking up the challenge of miniaturisation.

Colours trials

Invent iveness is al so cal led upon, since French lacquer craftsmanship on a metal base, instead of the traditional wood or bamboo, requires a partial revisiting of the traditional techniques.

Miniature with lacquer

With a fine-tipped brush, the artisan applies the first layers of lacquer pigments mixed with a copal-based varnish while respecting three days’ drying time between each coat, before proceeding to extremely fine sanding and adding the following layer. Building the work in stages, the lacquer specialist repeats this alternating process of careful gestures for many weeks, adding up to 30 or so coats in order to achieve a deep black base.

Miniature with lacquer

The artisan then turns artist. After outlining with a pencil the contours of the design on the perfectly lacquered dial, comes the preparation of the palette of colours, finely crushing and mixing the pigments to achieve the desired shades. The brush is deftly wielded to gradually bring the colours of the motif to life, by applying them one by one in successive coats until the entire pattern is reproduced. No less than 10 days of drying are required before superimposing 20 layers of transparent lacquer, which also require lengthy drying. An ultimate polish then reveals the extreme finesse of a design imbued with the subtle depth and vivid colours that only lacquer can achieve.

Laquer

Each of these dials is then assembled in a white gold Arceau model, driven by a Manufacture Hermès H1837 calibre.

These superb and graceful horses decked out in their Persian saddle rugs thus nobly escort Hermes’ enduringly entwined passions for artistic craftsmanship and the equestrian world.